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"An A-plus character study, matched with an actor who is more than up for the challenge."

-- San Francisco Chronicle

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“Playwright Stephen Belber’s small, ravishing play unfolds like an eloquent short story.

-- The New Yorker

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"Mamet is angry and has a point of view — two points of view, really — while Belber's subject is points of view."

-- Roger Ebert

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